The second performance took place on 07/03/1908. Other solo singers included Gustavo Claverío and Martín Verdaguer. The engraving contained in El Album Ibero-Americano (see references) is identical to that produced in O occidente in Lisbon, 21 April 1885, 92.
Possibly part of a tour with the production in Tokyo a month earlier
Possibly part of a tour with the production in Tokyo a month earlier
This hall (Osaka Asahi Kaikan) no longer exists.
Excerpted version (80 minutes).
Excerpted version (2 acts), performed with I Pagliacci and Les contes d’Hoffmann
Concert Performance
This theatre no longer exists.
25/11/1941 & 27/11/1941 soirée: Aiko Saita (C), Takako Mikami (M), Eiichi Uchida (E). 26/11/1941: Yoshiko Sato (C), Yoshiko Nakamura (M), Takeshi Tomeda (E). 27/11/1941 matinée: Aiko Saita (C), Sumiko Isomua (M), Tetsu Nakamura (E).
Performances in November, then 5, 10 and 25 December.
This production took place in May
Guest performance
Tiszay was Director.
Libretto translated by Kornél Ábrányi sr. and partly by István Kardos
Incorporated some new elements, and some from previous productions. Libretto translated by Kornél Ábrányi sr. and partly by István Kardos
Libretto translated by Kornél Ábrányi sr. and partly by István Kardos
Libretto translated by Kornél Ábrányi sr. and partly by István Kardos
Libretto translated by Kornél Ábrányi sr. and partly by István Kardos. Erich Kleiber was a guest performer.
Libretto translated by Kornél Ábrányi sr. and partly by István Kardos
Incorporated some new elements, and some from previous productions. Libretto translated by Kornél Ábrányi sr. and partly by István Kardos
The theatre does not exist today. Libretto translated by Kornél Ábrányi sr.
The city belonged to the Hungarian part of the Austro-Hungarian Monarchy. Libretto translated by Kornél Ábrányi sr.
The city belonged to the Hungarian part of the Austro-Hungarian Monarchy